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BETWEEN PIXELS AND BRUSHES. HOW WAS 2021 FOR THE WORLD OF ART??

This year, despite the inconvenience due to the long closures of galleries, museums, fairs, limited travel and many uncertainties about the future, we still breathed an air of transition and change, experimented with new ways of enjoying art and the long-awaited sociality.

Strong interest in emerging artists,female artists, in new technologies and social and environmental issues. But above all, the new trend is the various types of digital sales that have brought about change and experimentation in collecting.

And so, it seems to us to witness a historical moment, the birth of a new form of art:

NFT or non-fungible token.

These sales have turned the spotlight on the cryptoart market, leading to a real boom in NFTs, works encrypted and authenticated through blockchain technology. But the real breakthrough for the sales of this new art form was the moment of the transition from the only form of payment cryptocurrency to also a credit card, allowing a wider audience to easily purchase these digital creations.

The fashion of NFTs has made it possible to expand the typology of art buyers also involving younger generations of collectors and/or technology experts.

Among the surprises of 2021, Beeple – artist who earned the top spot on Art Review Power 100 and became the third living artist with the highest top record after Jeff Koons and David Hockney.

The work “Everydays: The First 5,000 Days” at Christie’s online auction – the first international auction house to offer an NFT work – reached a record figure of $ 69.3 million.

It is not his only work auctioned: on November 9 at Christie’s “Human One” – a hybrid sculpture composed of LED screens and images that evolve over time – it reached $ 28.9 million.

Beeple, “Human One”

 

In addition to Beeple, several artists have sold works on blockchain for millions of dollars.

CryptoPunks, an NFT project created by Larva Labs, is an art collection of 10,000 images and was one of the first in circulation.

These unique digital characters were sold in May at Christie’s for $ 14.5 million and achieved total annual sales of $ 29 million.

CryptoPunks 58, 603, 768, three of nine works sold as a single NFT for $ 16,962,500 on May 11, 2021 at Christie’s NY

 

The NFTs of the Bored Apes Yacht Club series on the Ethereum platform were also one of the biggest hits of cryptoart. In September, the two Bored Apes collections auctioned at NFT organized by Sotheby’s and comprising 101 pieces each generated $ 24.39 and $ 1.83 million respectively.

 

Bored Apes Yacht Club

This new art modality could also represent an important bridge between present and past as in the case of the Uffizi Museum, which offered the contemporary market the exclusive possession of a masterpiece from their collection.

The digital version of Michelangelo’s Tondo Doni was created thanks to the patent of the Italian company Cinello (sold for € 240,000), which will also sell other works by great masters such as Leonardo, Caravaggio and Titian.

A completely different thing compared to the very high amounts paid for the purchase of coloured monkeys.

 

YOUNG EMERGENT ARTISTS:

Another very strong trend of 2021 was the great appreciation of emerging tallents, names that are not yet very well known but in auctions are reaching prices of historically established artists.

One of them is Flora Yukhnovich (1990) who reached £ 2 million at Sotheby’s London auction last October 14th. But the list of young stars – many female – is long: among them Avery Singer, who’s work was sold for $ 4 million, Christina Quarles (1985), Shara Hughes (1981) with her auction record $ 1,482,000, also Jadé Fadojutimi (1993) $ 877,000, Ewa Juszkiewicz $ 730,800… to name a few of the hot names this year.

Flora Yukhnovich, “I’ll Have What She’s Having”, 2020

Oil on linen, 169 x 220 cm

Christina Quarles, “Common Ground (Worlds Apart, Miles Away) », 2016

Acrylic on canvas, 127 x 101 cm

 

Avery Singer, “Untitled”, 2018

Acrylic on canvas, 216 x 241 cm

 

Shara Hughes, « Inside Outside », 2018.

Oil and acrylic on canvas, 198 x 167.5 cm

 

OTHER INTERESTING RECORDS:

A new record was in the air for Banksy, who with “Love is in the Bin” reached £ 18.5 million at Sotheby’s London auction in October.

The work, which became a performance – originally “Girl with Balloon” – self-destroyed shortly after it was sold for £ 1.1 million at Sotheby’s auction in 2018.

Record for Frida Kahlo self-portrait “Diego y yo” (1949) sold for $ 35.8 million during the Modern Evening Sale at Sotheby’s New York.

A figure that also marks the absolute record for a Latin American artist and ranks second for the most expensive work sold at auction by a female artist.

Georgia O’Keeffe has been on the podium since 2014 with “Jimson weed/White flower no.1”, sold for $ 44.4 million again at Sotheby’s New York.

 

Frida Kahlo, “Diego y yo”, 1949

Oil on canvas, 30 x 22,4 cm

 

The sale of the Macklowe Collection proposed by Sotheby’s, one of the most important American private collections auctioned following the divorce of the two spouses, will certainly remain in history.

White gloves for the 35 works by European and American masters of the 20th century and a New York evening Sale that marked the highest sales record ever in the history of Sotheby’s: $ 676.1 million.

 

Jackson Pollock, “Number 17”, 1951

Enamel on canvas, 148,6 x 148,6 cm

 

Agnes Martin, “Untitled #44”, 1974

Acrylic on canvas, 182,9 x 182,9 cm

 

Mark Rothko, “No.7”, 1951

Oil on canvas, 240,7 x 138,7 cm

 

FOR AUCTION HOUSES YEAR 2021 WAS WONDERFUL:

Sotheby’s in 2021 achieved a record turnover of $ 7.3 billion, the highest in 277 years of business.

There are rumors that Patrick Drahi is considering an initial public offering (IPO) for the auction house, a move that would mark the company’s return to the stock market less than three years after the magnate bought it for about $ 3.7 billion.

Also good year for Christie’s, which reached $ 7.1 billion – the highest amount in the last 5 years.

Phillips during the November auctions in New York Phillips scored the highest total in its history, almost $ 140 million, thanks to young artists.

Surely these results were favored by the extraordinary sale of the Macklowe collection, made up of works that undoubtedly have an indisputable value, but also by the growing popularity of NFTs, whose value I believe should be revised and adjusted, at least for certain works.

 

LEADING MARKETS?

Hong Kong, at the centre of an increasingly solid and active Asian market, has established itself as the second city in the world for contemporary art after New York, playing a role of accelerator for the most important young artists and for the promotion of art contemporary and ultra-contemporary.

Seoul is also booming, the debut of Frieze Seoul in September 2022 and the recent opening of many important international galleries such as König, Pace, Perrotin, Thaddaeus Ropac, Gladstone and Lehmann Maupin will give even more impetus to the South Korean art market.

Another attractive factor for growth is the subsidized tax regime: Seoul does not charge import taxes on art and there is no sales tax on works worth less than $ 55,000.

All elements that will make Seoul more and more a protagonist of the market.

 

MY FAVORITE EXHIBITIONS OF 2021:

« Elles font l’abstraction », Centre Pompidou. Curator Christine Macel

Beautiful retrospective on the contribution of women in abstract art through 106 artists and more than 500 works, from 1860 to the 1980s.

In addition to the historicized names, the exhibition also enhanced the work of little-known artists by revealing contexts, individual and group research, including decorative arts, photography, cinema and dance.

Among the artists on show: Louise Bourgeois, Rosemarie Castoro, Georgiana Houghton, Verena Loewensberg, Helen Frankenthaler, Elaine de Kooning, Lee Krasner, Saloua Raouda Choucair, Regina Cassolo Bracchi, Dadamaino, Carla Accardi, Giannina Censi and many, many others.

Magnificent exhibition!

Lynda Benglis during a performance, 1970

 

Joan Mitchell, “Mephisto”, 1958

 

Véra Pagava, “La Grande Ville », 1959

 

Paola Pivi, “25.000 Covid jokes (It’s not a joke)”

Paola Pivi collected 25,000 jokes from different countries, creating an incredible mosaic of images and words at the Chapelle de la Vieille Charité in Marseille.

Brilliant idea of tragicomic testimony of the surreal times of lock-down, in the light and pleasant style of Pivi.

 

“Arc de Triomphe, Wrapped”, Christo e Jeanne-Claude

25,000 square meters of silver fabric covered the Arc de Triomphe in Paris, completing the last project of the artist who passed away in 2020, a dream that Christo pursued for 60 years.

This installation certainly strengthened the market of the Bulgarian artist couple even more.

 

Domenico Gnoli – Fondazione Prada, Milano, visible until 2/27/2022

A great retrospective – the latest project conceived by Germano Celant – celebrating the Roman artist who died prematurely.

The intense and enigmatic works of Gnoli show the beauty and poetry of everyday objects and seem to want to reveal the secret of things to us, well, as they say: “the devil is in the details.

A truly spectacular exhibition.

 

“Shine” Jeff Koons – Palazzo Strozzi, Florence

Palazzo Strozzi offers us a beautiful journey into the world of Jeff Koons with a retrospective that brings a selection of the most famous works of the American artist to Florence. Curated by Arturo Galansino and Joachim Pissarro.

As always Galansino manages to entertain and surprise us with high-level exhibitions, with an educational imprint, easy to understand for all age groups. Well done!

 

Breath Ghosts Blind – Maurizio Cattelan, curated by Roberta Tenconi and Vicente Todolì, until February 20, 2022.

“There was no one in Italy able to compete with Anselm Kiefer. No one, among his contemporaries, has such a monumental vision.” These are the words of Carlo Vanoni to describe “Breath Ghosts Blind”, a monographic by Maurizio Cattelan at Hangar Bicocca.

A site-specific project that addresses issues such as the fragility of life, memory and the sense of loss.

The only sin is to see pigeons as a metaphor for the third time, renamed from “Tourists” 1997 to “Others” 2021, then “Ghosts” 2021….

But anyway, Cattelan rocks.

 

ANNE IMHOF, “Nature Mortes” Palais de Tokyo, Paris

Anne Imhof has created an all-encompassing and polyphonic work by blending space and bodies, music and painting.

Inside the structure of the Palais de Tokyo, the artist has inserted a labyrinth of glass walls that have fragmented the space and generated new perspectives between paintings, installations, drawings, video, audio and sculptures, inviting 30 artists of great importance in dialog to each other.

A very powerful exhibition!

 

Stop Painting – Fondazione Prada, Venice.

Everyone should have seen this exhibition conceived by artist Peter Fischli, a profound reflection on some fundamental moments in the history of art over the past 150 years.

Starting from the invention of photography, the project highlights 5 radical breaks – between technological and social factors – which led to the rejection or reinvention of painting.

 

NEW TRENDS/ AWARDED IN 2021:

In addition to the re-evaluation of female artists and African American artists – which has already been taking place for some years – another trend that is taking shape concerns the artistic collectives, increasingly present in the contemporary art scene even in prestigious roles.

This is the case of the Indonesians Ruangrupa, who next year will curate the 15th edition of Documenta in Kassel, placed in 3rd place in the ranking of Art Review Power 100.

They are not the only ones present in the ranking: the indigenous Australians Karrabing Film Collective appear in 12th place and Forensic Architecture in 19th place.

 

CHANEL NEXT PRIZE- It is a new international award founded by the French maison to promote and support emerging talents, to experiment with new forms of artistic creation and encourage fluidity between different forms of art.

The winners – representing 11 countries and disciplines spanning design, cinema and visual arts – are: Jung Jae-il, Keiken, Lual Mayen, Marlene Monteiro Freitas, Rungano Nyoni, Precious Okoyomon, Marie Schleef, Botis Seva, Wang Bing, Eduardo Williams.

Each will receive a prize of € 100,000 and the support of experts selected by the brand.

Chanel will also collaborate on the programming of exhibitions with various institutions such as the Center Pompidou, the Underground Museum in Los Angeles and the recently opened GES-2 in Moscow.

PHOTO: Precious Okoyomon, New York-based artist and poet, who won the 2021 Frieze Artist Award. He is known for his immersive installations examining the natural world and its ties to racial events.

 

TURNER PRIZEIt is the first edition of the  Turner Prize to not include single artists but only collectives.

The winners – Array Collective – are a group of Belfast artists and the first Northern Ireland artists to win the prestigious award.

The work, an Irish pub reconstructed in the gallery spaces, reflects on the theme of inclusiveness without barriers or distinctions.

 

PRIX MARCEL DUCHAMP- Lili Reynaud-Dewar won the 21º Prix Marcel Duchamp 2021 with a project dedicated to Pier Paolo Pasolini focused on the relationship between the body and politics.

 

MAXXI BULGARI PRIZE- awarded to Tomaso De Luca with the work “A Week’s Notice”, a video installation that stood out for its ethical, social and political involvement.

This year, for the first time, all three works by the finalists (Giulia Cenci, Renato Leotta) have been acquired and become part of the contemporary art collection of the Maxxi Museum in Rome.

 

Despite the uncertain year, there have been several openings of new art centres and museums:

New life for the Paris Bourse, which since May hosts a new contemporary art museum and the Francois Pinault collection – more than 10,000 works by around 350 artists from all over the world.

Many exhibitions and on-site projects are scheduled in the building restored by Tadao Ando, which has already become an essential destination for art lovers.

M+

Open in November, the M + Museum in Hong Kong is the largest centre for contemporary art in the Asian area, a cultural institution that reflects the international identity of the territory on which it stands.

The M + collection is interdisciplinary and, in its spaces, includes 33 galleries, 3 cinemas, a media library, a hanging garden and a LED facade for the projection of moving images that are also visible from the seafront.

There was no lack of controversy over possible censorship by the Chinese authorities, which in 2020 introduced very strict laws on national security, significantly limiting some fundamental freedoms.

GES-2 MOSCOW

Renzo Piano’s project has revived an old power plant, transforming it into the new headquarters of the V-A-C Foundation, an institution of contemporary art founded by the Russian oligarch Leonid Mikhelson.

Open in December, this multidisciplinary space takes up the idea of the House of Culture and houses cinemas, concert halls, areas for workshops and exhibition halls, all in the name of experimentation.

ACADEMY MUSEUM OF MOTION PICTURES

Different continent, same architect: Renzo Piano has also signed up in Los Angeles for the largest museum in the world dedicated to cinema, a journey to discover the films and Hollywood stars who have made history.

 

DEPOT BOIJMANS VAN BEUNINGEN

In Rotterdam, the first art depot in the world opens its doors to the public, for those curious to know what is hidden “behind the scenes”, in museum warehouses and restoration laboratories.

Curiosity: the building has 5 different climatic zones and the works are not exhibited by age or style but for conservation needs.

 

MUNCH MUSEUM

The Munch Museum has opened in Oslo, which in addition to the Master’s masterpieces will also host various projects and exhibitions dedicated to contemporary artists.

Tracey Emin’s solo exhibition inaugurated the museum with a collection of works created by the English artist over the last decade, in dialogue with some works by Edvard Munch.che oltre ai capolavori del Maestro ospiterà anche diversi progetti e mostre dedicate ad artisti contemporanei.

 

ARTE IN NUVOLA

In Italy, in addition to the historic fairs that have returned to the public – Miart, Miart Photo Fair, Artissima – after several postponements, a new modern and contemporary art fair has been inaugurated in Rome, “Arte in Nuvola”, a new impetus for the restart of the art in our country.

 

Who is no more…

Etel Adnan, the great Lebanese essayist, poet and only in recent years also acclaimed artist passed away last November ‘21′.

Leading voice of Arab-American culture, Adnan has created works that cross different cultures and disciplines, moving with fluidity between writing and art.

Her geometric-abstract paintings of landscapes (sunsets, mountains, valley) made with a small knife will remain unmistakable, always in small dimensions.

 

Lawrence Weiner, one of the greatest exponents of conceptual art, left us in December / recently.

The artist began to create large installations starting from the 60s and has always focused on the use of words and their meaning, on the interpretation and perception of the work by the observer.

 

Richard Rogers, pioneer of the high-tech movement, architect of the Millennium Dome in London and of the Centre Pompidou together with Renzo Piano, passed away on 18 December.

 

In 2021 one of the best-known names in Italian photography has left us.

Giovanni Gastel, in addition to his commitment to the world of fashion, has carried out his own artistic research which culminated in 1997 with the personal exhibition at the Milan Triennale curated by Germano Celant.

In 2020 the Maxxi in Rome dedicated an exhibition to his famous portraits, 200 photographs of personalities from the world of culture, art, fashion but also politics, such as the famous portrait of Barack Obama.

A great master and inspiring person.

Great example of the world of art merging with fashion.

 

LOOKING FORWARD:

2022 is the year of the 59th Venice Biennial, and Italy will be represented by Gian Maria Tosatti.

It is the first time that a single artist will compete with the space of the pavilion and it is the first time that the Biennale will be led by a female curator, Cecilia Alemani.

 

A part that there will be many interesting art appointments. Follow me to stay up to date!

 

So summing up:

There is a lot of effervescence in the air, new forms of art, Big buyers, many new openings, auctions stronger than ever, focusing on new trends.

Women, BIPOC, emergents and NFT are greatly appreciated. It is not yet clear how and if they will position themselves in the art world in the future, but this year’s digital “superstars” have already signed contracts with companies such as UTA and other entertainment agencies.

Who knows what awaits us in 2022, certainly the world of art is becoming more and more fun.

Have a good year!

 

* BIPOC: acronym taken from the English language which means “Black, Indigenous, & People of Color Movement”

 

“The Shades Of The Art Rainbow Are Endless: Choose Your Favorite!”

 

London Auctions October 2018

The London autumn art week has ended, including Frieze, collateral fairs, many appointments and contemporary art auctions.

 

STRUGGLING FOR THE PLACE OF CHRISTIE’S AND CONTEMPORARY ART

4-5 OCTOBER 2018

AUCTION of at 4 OCTOBER EVENING. Total sales: £ 84,610,000 including premium.

AUCTION at 5 OCTOBER DAY. Total sales: £ 20,844,000 including premium.

For this auction session, Christie has fielded several lots of the highest quality. The highest expectation is the “Figure in Movement” canvas dated 1972 by Francis Bacon, on the cover of the catalogue, which from an estimate of £ 15,000,000-20,000,000 was sold for £ 19,921,250 including premium. The work came from the private collection of Magnus Konow and portrays George Dyer, Bacon’s muse and lover who died of an overdose shortly after the creation of this canvas that had always remained in the Konow’s collection.

Francis Bacon, Figure in Movement, 1972

Oil and dry transfer writing on canvas

198 x 148 cm

 

Jean Dubuffet also performed well with “Lady in Garden”, oil and collage on canvas from 1956, which from an estimate of £ 2,500,000-3,500,000 was sold at £ 4,508,000 including interest.

Jean Dubuffet, Lady in Garden, 1956

Oil and collage on canvas

148 x 120 cm

 

Also good for Keith Haring’s great work “Untitled” of 1984, given an estimate of £ 3,000,000-5,000,000, it was sold at £ 3,946,250 including interest.

Keith Haring, Untitled, 1984

Acrylic on canvas, work in 4 parts

Total dimensions: 304.8 x 304.8 cm

 

Record for “Bull with Hole”, oil and resin on canvas of 1986 by Albert Oehlen, estimated £ 800,000-1,200,000 reached the amount of £ 3,608,750 thus exceeding the record of 2.9 million reached in 2017.

Albert Oehlen, Bull with Hole, 1986

Oil and resin on canvas, Diptych

Single canvas size: 187.6 x 188.3 cm

Total dimensions: 187.6 x 376.6 cm

 

Hurvin Anderson who with the oil on canvas of the 2003 “Country Club” adventured on £ 2,048,750 including interest, from an estimate of 1,000,000-1,500,000 £.

Hurvin Anderson, Country Club, 2003

Oil painting on canvas

162 x 265 cm

 

At the Lot 49 we find another work by Francis Bacon, “Painted Screen “, three panels joined by iron hinges of 1929 estimated at £ 700,000-1,000,000, which doubled and exceeded the highest estimate reaching £ 2,408,000 including interest.

Francis Bacon, Painted Screen, about 1929

Oil on plywood with metal hinges

Each panel: 183 x 61 x 2.8 cm

Total dimensions: 183 x 183 x 2.8 cm

 

Very good for the Turin artist Aldo Mondino, who on the occasion of his 70th birth anniversary marks the new record during the First World War and contemporary art auction with “Tappeti Stesi” (Carpets), the work of 1989, sold for £ 68,750 including interest. The starting estimate was £ 30,000-50,000 (Lot 343).

The Tappeti Stesi are wall compositions that entered Eraclite between the 80s and 90s and include one of the most famous cycles among those unleashed by the artist, fascinated by Middle Eastern culture.

Aldo Mondino, Tappeti Stesi, 1989

Acrylic on compressed chipboard, Diptych

Overall dimensions: 250 x 200 cm

 

Disappointment instead for “Skull”, oil on canvas of 1983 by Gerhard Richter published on the second cover, which remained unsold for 11.5 million pounds (estimate on request).

Same fate also for Jeff Koons’ “Cracked egg (blue)”, unsold 8.5 million pounds: it started from an estimate of 10,000,000-15,000,000 pounds.

Gerhard Richter, Skull, 1983

Oil painting on canvas

80.4 x 65 cm

 

Jeff Koons, Cracked Egg (blue), 1994-2006

One of the unique works of a series of 5

Mirror polished steel with transparent coating

165.1 x 159.1 x 159.1 cm

100 x 159.1 x 159.1 cm

 

Even “Still life with Zimmerlinde”, an unusual subject by Lucian Freud, remains unsold at £ 750,000 being above the maximum rating of £ 600,000.

Lucian Freud, Still life with Zimmerlinde, about 1950

Oil painting on canvas

25 x 21.5 cm

 

Withdrawal from the auction for Georg Baselitz’s 11 oils on canvas, estimated between 6 and 10 million pounds.

 

CHRISTIE’S THINKING ITALIAN

OCTOBER 4, 2018

Total sales: £ 40,408,000 including premium.

Thinking of Christie’s Italian, the first edition represents the evolution of Italian sales, a format that for the first time in 20 years has not been renewed by Sotheby’s, which has chosen to include art in art. October 5 and 6.

The evening with Christie, also packed with Italian collectors and operators, continued with a catalogue of the highest level made up of 37 important works ranging from Futurism to Arte Povera: many and predictable relaunched during the auction.

Learn more about the price achieved by the rare work “Space concept, The end of God” of 1963 which, starting at £ 12.5 million, was sold to an anonymous telephone collector for £ 17,108,750 including interest. The estimate was on demand, around £ 17 million. With this release “Spatial concept, The end of God” has become the second best-selling work at auction by Lucio Fontana.

The work had already gone up for auction in 2013 from Christie’s in New York and had reached £ 13 million on that occasion.

Lucio Fontana, Spatial Concept, The end of God, 1963

Oil and glitter on canvas

178 x 123 cm

“Spatial Concept” of 1953, a delicate and beautiful composition in oil and glass on canvas on the cover of the catalogue, reaches £ 1,832,750, interest included from a starting estimate of £ 1,600,000-2,500,000.

Lucio Fontana, Spatial Concept, 1953

Oil and glass on canvas

60 x 73 cm

 

The second work by price made is a “Achrome” by Manzoni from 1957-58 which was included in the Contemporary Art section and which was then moved to “Think Italian” (Lot 119A). The canvas made £ 3,608,750 including interest from an estimate of £ 3,000,000-5,000,000.

Piero Manzoni, Achrome, 1957-58

Kaolin on canvas

61 x 81 cm

 

Another Manzoni’s “Achrome” dated 1958-59 (Lot 118) touched the amount of £ 1,928,750 interest included from an estimate of £ 1,000,000-1,500,000.

Piero Manzoni, Achrome, 1958-59

Kaolin on canvas

60 x 80 cm

 

The other protagonists of this part of the evening were the Italian artists who imposed attention by setting some records.

 

Salvatore Scarpitta realized for £ 1,808,750 interest included with the work of 1960 from the Leo Castelli’s gallery “Alta Sposa”, starting estimate £ 1,000,000-1,500,000.

Salvatore Scarpitta, High Bride, 1960

Bandages on mixed supports on canvas

152.5 x 102 cm

 

Maria Lai’s work “Sheet” of 1989 from an estimate of £ 20,000-30,000 flied to £ 150,000 including interest, far exceeding the previous record of € 32,000 in 2015.

Maria Lai, Sheet, 1989

Thread and fabric embroidered on fabric

141.7 x 230 cm

 

Alberto Savinio also flied high with “Croix marine”, oil on canvas from 1929 estimated at £ 600,000-800,000 and sold for £ 692,000 including premium.

Alberto Savinio, Croix Marine, 1929

Oil painting on canvas

73 x 92 cm

 

“Great mutilation”, sculpture more than two meters high dated 1962 by Leoncillo, reached £ 728,750 including interest (estimate £ 350,000-500,000) and thus exceeded the € 283,000 record of the Christie’s auction in Milan in April 2018.

Leoncillo, Great mutilation, 1962

Stoneware and glaze

218 x 39 x 39 cm

 

Alberto Burri with “Sacco Nero Rosso” of 1957 reached £ 980,750 including interest from an estimate of £ 450,000-600,000.

Alberto Burri, Sacco Nero Rosso, 1957

Sackcloth, acrylic, plastic burning and vinavil on fabric

38 x 46 cm

 

Another nice surprise was Carol Rama, who with “Untitled”, a work of 1977, managed to double the estimate of £ 60,000-80,000 to reach £ 175,000 including interest.

Carol Rama, untitled, 1977

Tissue paper, tire, pastel, tempera, cotton thread and metal hook on soft top canvas

130.5 x 75 cm

 

Gino Severini with “Portrait de l’auteur” of 1916, displayed the £ 908,000 interest included from the estimate of £ 700,000-1,000,000.

Gino Severini, Portrait de l’auteur, 1916

Oil painting on canvas

100.3 x 74.3 cm

 

There were surprises among the unsold, including two Fontana’s works: red “Spatial Concept, Waiting” (Lot 125) and white “Spatial Concept, Waiting” (Lot 129).

 

SOTHEBY’S EVENING AUCTION

The David Teiger collection and Contemporary Art achieved the total revenue of £ 69,787,000 including premia, against the high estimate of £ 73.5 million.

SOTHEBY’S THE HISTORY OF NOW: DAVID TEIGER’S COLLECTION

OCTOBER 5, 2018

Total sales: £ 35,921,100 including premia.

Sotheby’s opened the auction session with 25 works mainly by contemporary artists from the collection of David Teiger, almost all of them getting a somewhat lower value than expected.

The evening was opened by the artist’s record reached by “Wants to see it all”, a work of 2002, by Kai Althoff, which from the estimate of £ 80,000 – 120,000 got £ 574,000 including interest, after a long battle between collectors on the phone.

Kai Althoff, Wants to see it all, 2002

Paint, tempera and paper on canvas, edged with iron

50.2 x 60 cm

 

No twists and turns until Lot 6, when “Propped”, oil on canvas of 1992 by Jenny Saville, chosen for the catalogue cover and estimated £ 3,000,000-4,000,000, came with a £ 9,537,250 including premium, after a long phone battle between collectors marking the record for a living woman artist. This result reflects competition, and the competition in the role of women in art.

This large canvas, which made Saville famous thanks to the exhibition “Sensation” held in 1997 at the Royal Academy of Arts, was owned by the magnate Charles Saatchi, and it revolutionizes the traditional representation of the woman’s body.

Jenny Saville, Propped, 1992

Oil painting on canvas

213.4 x 182.9 cm

 

“Station Buffalo I “, oil on canvas dated 1997-1998, reached £ 7,561,500 including premium from the estimate of £ 6,000,000-8,000,000.

With the same estimate, according to the characteristics of the former in terms of subject, data, size, and technique, the result was different for ” Station Buffalo II”, which was sold at the price of £ 4,513,000. Probably this second work by Doig went to the third party guarantor, who had ensured the painting.

Peter Doig, Buffalo Station I, 1997-98

Oil painting on canvas

175.3 x 269.9 cm

Peter Doig, Buffalo Station II, 1997-98

Oil painting on canvas

175.3 x 269.9 cm

 

Not very good however for “Minerva”, oil on canvas by John Currin, which first remained unsold and was then put up for auction again at only £ 370,000, included, in a starting forecast of £ 800,000 – £ 1,200,000.

John Currin, Minerva, 2000

Oil painting on canvas

71.1 x 55.9 cm

 

SOTHEBY’S EVENING CONTEMPORARY ART AND DAY AUCTION

5-6 OCTOBER 2018

EVENING AUCTION 5 OCTOBER: Total sales: £ 33,865,900, including premiа.

DAY AUCTION 6 OCTOBER: Total sales: £ 14,008,500, including premiа.

After the Teiger collection, the evening continued at Sotheby’s with 40 lots of Contemporary Art.

The undisputed star of all the international press was Banksy’s work, which suddenly destroyed itself after being sold for £ 1,042,000, including interest. “Girl with Ballon”, made in 2006, was the last lot of the auction and was estimated at £ 200,000-300,000. Shortly after the time, the mechanism hidden inside the frame activated and the work of the artist from Bristol was shredded in small strips. The bewildering and surprising performance immediately made Banksy claimed on social media. The value of the work has been exceeded with regards to marketing and resonance it made.

Banksy, Girl with Baloon, 2006

Spray paint and acrylic on canvas, mounted on a frame by the artist

101 x 78 x 18 cm

 

Part of Banksy’s unexpected performance were a few twists in this auction session. Hence two works by Georg Baselitz that far exceed expectations: “Ohne Titel” of 1966 from an estimate of £ 450,000-650,000 reached £ 1,150,000 including interest; while “Kopfkissen”, oil on canvas of 1987, took the figure of £ 1,450,000, the starting estimate was £ 40,000-600,000.

Georg Baselitz, Ohne Titel (Der Neue Typ), 1966

Tempera, ink and pastel on paper

39.1 x 26 cm

Excellent result for Adrian Ghenie’s “Boogeyman” dated 2010, which from an estimate of £ 2,000,000-3,000,000 flied to £ 4,851,900 including premium.

Adrian Ghenie, Boogeyman, 2010

Oil painting on canvas

200 x 335 cm

 

Among the unsold, some also present some excellent names, such as a “Spatial Concept, Expectations” by Lucio Fontana, a Castellani “Troika” and two Kapoor “Parabolic Mirror, Asagi” and “Untitled”.

“Again and again”, Kaws acrylic on canvas depicting the cartoon character Sponge Bob, set a record and a Taiwanese dealer was awarded after a long telephone battle, flying from the estimate of £ 250,000-350,000 to £ 1,030,000 interest included.

Kaws, again and again, 2008

Acrylic on canvas

172.8 x 172.8 cm

 

PHILLIPS SHAPE & SPACE: NEW CERAMIC PRESENCE

5 OCTOBER

Total sales: £ 2,493,250 including premia.

The Phillips auction house, in addition to being increasingly attentive to and publishes photography (auction on 4 October), dedicates an entire session to ceramics intended to strengthen the dialogue between art, design and craftsmanship.

Ceramics, a technique traditionally placed among the decorative arts, is now viewed with renewed interest also by the so-called “emerging” collectors. With a private auction, Phillips captured the public’s attention by presenting the material in a completely different light.

The new interest in ceramic artists had already emerged in New York last December during the evening design auction when the work “Rondena” by Peter Voulkos, sculpture of powerful dimensions, set a record for an American ceramic artist totalling $ 915,000, premium included, $ 400,000 beyond its high rating.

As we saw in the Christie’s Thinking Italian auction on October 4, the excellent result achieved by Leoncillo is the market trend: the “Great Mutilation” stoneware sculpture was sold at £ 728,750 against a high estimate of £ 500,000.

On the occasion of the autumn auction of Phillips, the curator Francesco Bonami proposed 32 works both modern and contemporary signed by Fontana, Ai Weiwei, Fausto Melotti, Picasso and Roy Lichtenstein followed by other lesser-known masters who worked in this material.

 

DESIGN FOR SALE, NEW YORK, EVENING AUCTION, DECEMBER 12, 2017

Total sales: $ 6,198,625 including premia

Peter Voulkos, Rondena, 1958

Porcelain stoneware, brushed cobalt, iron, epoxy resin

157.5 x 95.9 x 82.6 cm

Estimate: $ 300,000-500,000

Sold for $ 915,000, including premium

 

Lucio Fontana, Horse, 1935-36

59.5 x 79.5 x 46 cm

Estimate: £ 400,000- £ 600,000

Sold for £ 549,000, including premium

 

Roy Lichtenstein, Ceramic Sculpture # 10, 1965

21.6 x 22.5 x 21.6 cm

Estimate: £ 250,000-350,000

Sold for £ 309,000 prize included

 

Ai Weiwei, He Xie, 2010

Variable dimensions

Estimate: £ 400,000- £ 600,000

Sold for £ 609,000 including premium

 

Pablo Picasso, Hibou (Owl), 1975

34 x 20 x 4 cm

Estimate: £ 50,000-70,000

Sold for £ 93,750 including premium

 

Fausto Melotti, Female Figure, about 1950

Height 21.7 cm

Estimate: £ 40,000-60,000

Sold at £ 56,250 prize included

 

“The shades of the art rainbow are endless: choose your favorite!”